Rattlers
Moderators: rjlittlefield, ChrisR, Chris S., Pau
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- rjlittlefield
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You know, I kinda suspect that elf placed those extra heads very carefully because he liked the composition that way.
It's always interesting to me what different people do and don't like.
I confess, I think the extra heads are distracting too. But on the other hand, I haven't seen the composition without them, and I'm often surprised by the difference between what I think I'll think, and what I actually think when I get there.
I agree with previous posters about the lighting and textures -- marvelous!
--Rik
It's always interesting to me what different people do and don't like.
I confess, I think the extra heads are distracting too. But on the other hand, I haven't seen the composition without them, and I'm often surprised by the difference between what I think I'll think, and what I actually think when I get there.
I agree with previous posters about the lighting and textures -- marvelous!
--Rik
Are you aiming for more than a "just" a record shot? I think so, from the effort you put into the frame.
When I did FRPS a century ago they used to say
"Find a Red Patch Somewhere. Failing that, get three of something, then make it interesting." Anarchists used 5 of things, shock horror! The extra 2 don't work for me where they are, in this one.
But "Interesting" is the hard part - how to make someone want to keep looking.
You've got really nice texture, tone and light, which is not easy. So far so good, stay with it. More, please!
ps - Are these things small? Your viewer has no way of knowing..
Oh and another thought - If you use a black background, do you want parts of your subject submerging into it? I don't think so.
When I did FRPS a century ago they used to say
"Find a Red Patch Somewhere. Failing that, get three of something, then make it interesting." Anarchists used 5 of things, shock horror! The extra 2 don't work for me where they are, in this one.
But "Interesting" is the hard part - how to make someone want to keep looking.
You've got really nice texture, tone and light, which is not easy. So far so good, stay with it. More, please!
ps - Are these things small? Your viewer has no way of knowing..
Oh and another thought - If you use a black background, do you want parts of your subject submerging into it? I don't think so.
- Charles Krebs
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Here it is with the offending bits cloned out. I think I still prefer the original slightly.
The original was planned to be a much larger panorama, but after shooting these first two frames in 45 minutes, I realized I would never stay awake to finish the other 6 frames. This was taken after driving several hours, walking on the beach for a few more hours, eating dinner, and then sitting in a hot tub for an hour. Definitely not a recipe for staying awake.
It did take quite a while to manuever the camera, light, and subject into this composition. I think the heads were about 20mm in height. They would not fit in a single frame at minimum bellows draw with the El-Nikkor 50mm.
p.s. The frame was created with an action called "Sharon's Mattes" from this site: http://www.atncentral.com/frames.htm It looks like quite a few more actions have been added since the last time I visited the site.
The original was planned to be a much larger panorama, but after shooting these first two frames in 45 minutes, I realized I would never stay awake to finish the other 6 frames. This was taken after driving several hours, walking on the beach for a few more hours, eating dinner, and then sitting in a hot tub for an hour. Definitely not a recipe for staying awake.
It did take quite a while to manuever the camera, light, and subject into this composition. I think the heads were about 20mm in height. They would not fit in a single frame at minimum bellows draw with the El-Nikkor 50mm.
p.s. The frame was created with an action called "Sharon's Mattes" from this site: http://www.atncentral.com/frames.htm It looks like quite a few more actions have been added since the last time I visited the site.
- rjlittlefield
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How prophetic!rjlittlefield wrote:But on the other hand, I haven't seen the composition without them, and I'm often surprised by the difference between what I think I'll think, and what I actually think when I get there.
Now that I've seen it without the corners, I definitely prefer it with them!
--Rik
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