
There's a backstory, of course.
A couple of nights ago, a mayfly landed on my hand while I was standing in my yard doing nothing in particular.
When I looked at it, I was surprised to see that it was a relatively large species with the greatly expanded eyes of a male. I say surprised because, in my yard, I've only ever noticed greatly expanded eyes on a tiny species. I also noticed it was a dun (subimago), and quite placid, so I figured I might gently transport it inside so I could get some pictures of the adult after it had done its final molt. There seemed lots to go wrong with that plan, but nothing ventured nothing gained.
Transporting it inside turned out to be simple -- the beast was really very placid. I didn't think very hard about why it was so placid, until I had gotten out my camera equipment, taken a handheld test shot just to check out flash brightness, and noticed a couple of transparent flaps hanging loose behind the eyes. Whoa! The molt had started already!
So, over the next few minutes, I continued to shoot a series of handheld shots, trying hard to not move, while hunched beside a table bracing an MPE-65 as best I could with a spare finger, while watching the action in real time because I figured the odds were not great that the photos would be usable.
Fortunately I got lucky about that last part -- the photos actually were usable. I assembled 17 frames of them, aligned by hand, to make the animated gif shown above.
Watching the animation, I am struck that the adult somehow extracts itself from the old skin without aid of gravity, and without obviously pushing on anything. I assume there's some pushing going on somewhere, but I cannot see where. If anybody knows how this works, I would appreciate learning the trick!
After the adult had hardened for a while, I was able to get some good single shots of the eyes. Here is one I like:

Then I released the beast to go play with its friends.
Today I shot the shed skin. These crossed-eye stereos are two single shots, using the cha-cha technique with camera on a 4-way rail on tripod.



Mostly shot at 1:1 and nominal f/16 (f/32 effective), on MP-E 65 lens on Canon T1i camera (APS-C format). Single flash diffused through kleenex tissue tent, Canon 580EX II at 1/8 power, ISO 100. Heavily sharpened in post.
--Rik