Depends on the amount of diffraction that is "acceptable" and the aperture used. With the Canon MPE 65mm lens the following seems to work well for stacking (but always do some testing to establish your own acceptable values!):I have no idea about what focus steps are needed for 5X stacking, that's what I want to find out![]()
At 5X with an APS-C sized sensor, at (nominal) f/2.8 your total depth-of-field (TDOF) will be in the range of 26 to 31 micron. (calculated using a circle-of-confusion from 0.019 to 0.026)
At 5X with an APS-C sized sensor, at (nominal) f/4 your total depth-of-field will be in the range of 36 to 50 micron.
At 5X with an APS-C sized sensor, at (nominal) f/5.6 your total depth-of-field will be in the range of 51 to 71 micron. (... but this is really too small an aperture for 5X)
At the lowest magnification of the Canon MPE, 1X, at f/8 your total depth-of-field will be in the range of 608 to 840 micron.
For stacking purposes you will want to move the camera/lens about 70-80% of the TDOF value between shots. The Velmex 2.5" version discussed above and shown here, has for me proven to be the nicest piece to use with 65MPE in the field. One "tick" mark on the dial shown is 17.6 micron. This is with the 20 TPI lead-screw. With the 40 TPI lead-screw the increments are cut in half (so 1 tick mark would be 8.8 micron). You can see that the movement of the Velmex is a pretty good "fit" for the Canon MPE magnification range, or just about any setup that takes you to about 5X or so.
The 20 TPI is easily usable by hand to at least 5X, the 40 TPI could be used up to around 10X with no difficulty.
The 20 TPI thread is very usable with lower magnifications as well, so I find it nice to use with the 100mm macro lens as well. The crank handle, when outfitted with an easily readable large dial is wonderful to use. (The 40 TPI thread can require a little too much "cranking" if you do work a great deal at lower magnifications).
To make it practical for field use you really need to have something like the long A/S plate underneath (with an A/S clamp on your tripod head). Not absolutely necessary, but it makes "roughing in" the focus much easier. (As I mention in the referenced post, be sure to use a plate/clamp combination that has the safety "stop" screws at the end of the plate... otherwise, sooner or later...


Lastly, another thing that is nice is it's simplicity. I live in a place where photographing outside often means getting wet and muddy, The other rail I sometimes use would lose its smooth movement when it got wet or a little dirty. I appreciate the fact that the Velmex, (even though it looks as if it might be best used indoors) it is not fazed by the elements.