rjlittlefield wrote:A lot of the problems I see in the first image look like PMax artifacts, such as "streamers" from those bright tips and generally more noise, contrast, and broad halos.
So I'm struggling a bit to tease apart how much of the improvement was made because of 16-bit TIFF versus JPEG, compared to DMap vs PMax and what I presume is some retouching.
Can you say a few more words about those aspects?
--Rik
This is a short description of the workflow for this picture. Most of my choises are based on taste.
For a while I have been thinking about making an artistic high magnification picture of a butterfly wing. The best lens I have for this purpose is the 40x BD plan apo. But the WD is so short so there is not much room for light adjustments. The best option turned out to be to use BD light. I moved the mirror a few mm to get some direction of light. The single pictures have some CA.
Working with the jpeg:s in Canon DPP did not help me to get rid of enough of the CA
The result was better with the RAW-files.
Most of the times when i stack high magnification pictures from the microscope I have turned of all alignments. This makes it easier to move picture/slabs etc from one project to the next and there are no spot-trails in the stacked pictures.
Dmap looked better than Pmax.
PMax no alignments
Dmap no alignments
After some late night pixel peeping I thougt that the standard settings was (marginally better) so I used the standard settings.
Dmap standard settings
Removed almost all of the dust in Camera Raw before stacking in Zerene. Used the Dmap as a base, retouching in details near borders from Pmax. Removed some dust and halos in PS.
Regards Jörgen