Simonl wrote:Nikon D300
Sigma 105mm Macro Lens
133mm extension tubes
Manfotto Focusing rail
Nikon SB-800 + SB-600 + SB-200 Flashes
Taken in light tent at f8
82 photos stcked using Helicon Focus
Just getting used to demo of Helicon focus - seems quicker than combineZM - but not sure about results yet. Seems a little soft.
Helicon Settings - M=A_R=5_S=4
Great lighting. This is a very deep stack -- most people don't have the courage (?) to shoot end-on and try to get both head and abdomen in sharp focus.
Regarding the sharpness, check your individual frames against the composite at actual pixels. That will tell whether the problem is in the shooting or the computing. If that Sigma 105 is the same model I have, it's not terribly sharp to start with. There's a subjective effect that in a single picture, the details
look sharp because they're surrounded by blur, where in the stacked result, the same details don't look so sharp because they're surrounded by other similar details. So a lens that works fine for single-shot work may not be so good for stacking.
Another thing that might help is to play around to determine optimum aperture. I'm not very optimistic in this case because with my Sigma 105, f/8 is about as good as it gets. There is also the painful tradeoff between resolution and number of frames required -- even if the lens gets sharper when you open it up, you might not want to do that because the lesser DOF per frame will make the stack deeper.
And finally, don't forget that it's fair game to sharpen in post-processing. There is no shame in using filters like unsharp mask to help compensate for a lens whose details are soft from diffraction and aberrations.
Your observation about speed of Helicon Focus versus CombineZM is correct. If you actually put a stopwatch on them, you'll find that CZ typically takes several times longer.
There are other tradeoffs in flexibility, image quality, and ease of retouching, and these play differently for different kinds of subjects. This cricket with strong overlap but a simple smooth outline may need quite different treatment from a different subject with say strong overlapping bristles.
I notice that this image has quite a bit of halo. You might want to play around with the new Method B in Helicon Focus to see if that goes away. Some people also have success with Method A by tweaking the R and S parameters.
This is looking good -- keep clicking!
--Rik