


Canon PowerShot G7
Manual mode/macro
Moderators: rjlittlefield, ChrisR, Chris S., Pau
I can switch from the normal mode of photo taking to a macro mode at the push of a button, which allows me to get within 3.5" of the subject, I can also zoom in, in that mode up to a certain point.Does the camera have a dedicated Macro setting like Nikon?
I sort of favor no. 2 myself because of the warmness, though no. 3 I am also quite pleased with. Thanks jmlphotoi like number two the colors go well together. very crisp and clear as well.
The manual mode gives me more control over the photograph. In "auto mode," a good many times the camera will produce slightly over exposed images. I have found that even my Sony point and shoots do the same thing in "auto." Plus in "auto," the camera decides for you whether or not to employ the flash, so you are constantly turning the flash "on" or "off" depending on what you want. In the "manual mode" of operation, nothing does anything unless I want it to. What I set the camera to, stays put. So far this is the first "advanced point and shoot" type camera that I really enjoy using, not to mention that it is great for those long wilderness hikes, where my 30D gets to feeling like a concrete block hung around my neck.Out of interest Ken, why have you chosen to go with manual mode?
From all that I have read about these Bf's they indeed are hard to ID and about 250 of them call North America home. I tried to ID these here but just plain gave up.The skippers can be difficult to ID since only slight variations separate the different ones. The most popular is the spotted skipper, as this is the one that is usually seen in the ID books. The two skippers you photographed are not the "spotted" variety, but second one might be a "Sachem"
Never thought of that but still I like the manual mode of operation better. Since most of these cameras have "live view," which I really like instead of squinting throught that little square box, I can see how my photographs will look before downloadingKen, I've noticed the same problem with overexposure in both my point-and-shoots. I often run with exposure compensation set to -2/3 stop. That adds noise in the shadows, but it preserves more highlight detail and gives me more options for post-processing.