Probably My Best Bumble Bee
Moderators: rjlittlefield, ChrisR, Chris S., Pau
Probably My Best Bumble Bee
Bumble Bees, for me, seem hard to get a fair shot of. Their little faces are dark, as is much of the rest of them, so bringing out details, other than the light colored hairs is difficult at best.
EOS 30D w/EF-100mm f/2.8 Macro USM, 1/125 sec. @ f/9 ISO 100, 430EX Speedlite ETTL, PP: Photoshop Elements 4 Loc: Rutherford Co. WNC
EOS 30D w/EF-100mm f/2.8 Macro USM, 1/125 sec. @ f/9 ISO 100, 430EX Speedlite ETTL, PP: Photoshop Elements 4 Loc: Rutherford Co. WNC
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- Mike B in OKlahoma
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Harold's advice about choosing a main subject and getting it right is (usually) good, IMO. But there are always special cases and artsy shots, not that I make many of those!
Mike Broderick
Oklahoma City, OK, USA
Constructive critiques of my pictures, and reposts in this forum for purposes of critique are welcome
"I must obey the inscrutable exhortations of my soul....My mandate includes weird bugs."
--Calvin
Oklahoma City, OK, USA
Constructive critiques of my pictures, and reposts in this forum for purposes of critique are welcome
"I must obey the inscrutable exhortations of my soul....My mandate includes weird bugs."
--Calvin
- rjlittlefield
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This is a case where shooting raw can be a big help.Harold Gough wrote:I think you have to decide that the bee is the main subject and overexpose by half a stop.
I'd be very reluctant to overexpose that flower by 1/2 stop, because I expect that one or two of the color channels would blow out. Even in the image as presented, there are some (254,255,67)'s.
On the other hand, I'd be perfectly happy to brighten up the bee's face in post-processing, probably using some sort of levels or curves adjustment with a mask to keep it away from that bright flower. That would work better if the image is 16 bits at the time the level adjustment was applied.
If you'd like to see what I mean, let me know and I can post out an example (your image edited).
--Rik
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Oh, for the tone range of a good reversal film!rjlittlefield wrote:This is a case where shooting raw can be a big help.Harold Gough wrote:I think you have to decide that the bee is the main subject and overexpose by half a stop.
I'd be very reluctant to overexpose that flower by 1/2 stop, because I expect that one or two of the color channels would blow out. Even in the image as presented, there are some (254,255,67)'s.
--Rik
Harold
My images are a medium for sharing some of my experiences: they are not me.
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- rjlittlefield
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It's getting closer, but film still wins. See for example "35mm Film vs DSLR: Gradation, Resolution, and Dynamic Range". (Caution, long load time due to many images).lauriek wrote:I suspect a well exposed RAW file from a modern DSLR has more tonal range available than any film ever made.
A critical excerpt:
--RikDynamic range of the film is significantly greater than the DSLR -- approximately 15 f-stops for film versus 11 f-stops for the DSLR, as measured by ability to recover medium contrast detail at 20 line pairs per mm.
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