harisA wrote:Rik can you please explain more analytically why the objective stops down the Raynox to F/12.5?
When using an infinity objective as designed, each point on the subject turns into a beam of parallel light rays coming out the back of the objective. The diameter of those beams is limited by the rear aperture of the objective, just the same way that diameter of incoming beams would be limited by the aperture of the rear lens if it had one.
Physically, the rear aperture of the objective is 10 mm diameter. The focal length of the Raynox is 125 mm, and 10/125 = f/12.5 .
Mathematically, the following relationships are handy to know:
1. NA = 1/(2*effective_f_number), where NA and effective_f_number are both measured on the same side of the lens
2. NA_at_subject = actual_magnification*NA_at_camera
3. actual_magnification = objective_rated_magnification*(tube_lens_focal_length/200), for an objective designed to work with 200 mm tube lens
Then slogging through the arithmetic, actual magnification = 10*(125/200) = 6.25, NA__at_camera = 0.25/6.25 = 0.04, and effective_f_number_at_camera = 1/(2*0.04) = 12.5 .
Also can you give an explanation why Raynox is so brilliant as a tube lens despite the fact is pretty unusable wide open (as telephoto lens focused on infinitty)?
Sorry, I cannot.
I think that any such explanation either would be hand-waving or would rely on such deep analysis of the lens design that it would give no useful insight.
It's clear that stopping down is a powerful way of reducing many kinds of lens aberration.
But it's not at all clear why stopping down a Raynox DCR-150 reduces aberrations enough to give good corners on full frame, while stopping down other apparently similar lenses such as the Nikon, Mitutoyo, and Thorlabs tube lenses does not. (See experimental results at
http://www.photomacrography.net/forum/v ... hp?t=23898.)
No doubt all this would be "explained" by analyses like ray-tracing, given sufficiently detailed models of all the lenses. But I don't know any way to predict it from simpler aspects of the lenses.
--Rik