My Phalaenopsis Orchid is in full bloom again
Pure
Moderators: rjlittlefield, ChrisR, Chris S., Pau
Pure
Canon 5D and 30D | Canon IXUS 265HS | Cosina 100mm f3.5 macro | EF 75-300 f4.5-5.6 USM III | EF 50 f1.8 II | Slik 88 tripod | Apex Practicioner monocular microscope
Hmmm interesting!AndrewC wrote:It might not be something you want to achieve, but I used to light the insides of subjects like these by bouncing light in off a plastic dental mirror.
Andrew
But wouldn't that act like a spot light,lighting just one tiny area?
Canon 5D and 30D | Canon IXUS 265HS | Cosina 100mm f3.5 macro | EF 75-300 f4.5-5.6 USM III | EF 50 f1.8 II | Slik 88 tripod | Apex Practicioner monocular microscope
Yes and no - for instance what it let me do was direct light into the centre, which was otherwise shaded. It depends on the light source you are bouncing - I was working in a greenhouse bouncing strong overhead light and using a mirror about 1.5cm in diameter - like these
http://cgi.ebay.co.uk/Dental-Stick-Mirr ... 286.c0.m14
The nice thing about the "mirror on a stick" is that it is easy to position around small subjects.
Andrew
http://cgi.ebay.co.uk/Dental-Stick-Mirr ... 286.c0.m14
The nice thing about the "mirror on a stick" is that it is easy to position around small subjects.
Andrew
Say that gives me an idea! I got an old mirror out of a busted camera somewhere. Surely I could glue it to an old toothbrush and Voila!
Canon 5D and 30D | Canon IXUS 265HS | Cosina 100mm f3.5 macro | EF 75-300 f4.5-5.6 USM III | EF 50 f1.8 II | Slik 88 tripod | Apex Practicioner monocular microscope
Please don't take this as criticism - it's entirely subjective!
I really don't like the DOF as it is. I'd want to see the whole of the foreground part of the flower sharp.
And whatever that black/white detail is through the hole in the back part, I don't want to see it.
So I'd be thinking about a stack of wide aperture shots of the front part, which would let the back go further oof.
I really don't like the DOF as it is. I'd want to see the whole of the foreground part of the flower sharp.
And whatever that black/white detail is through the hole in the back part, I don't want to see it.
So I'd be thinking about a stack of wide aperture shots of the front part, which would let the back go further oof.
Chris, I did take a shot like that, with a small aperture and lots of DOF, but I preferred this approach. Its more of an art shot and less of a technical shot. I'm goig to re work it to take out those dark pieces in the centre and maybe boost the saturation a little-I saved the PSD file so it will be lossless.ChrisR wrote:Please don't take this as criticism - it's entirely subjective!
I really don't like the DOF as it is. I'd want to see the whole of the foreground part of the flower sharp.
And whatever that black/white detail is through the hole in the back part, I don't want to see it.
So I'd be thinking about a stack of wide aperture shots of the front part, which would let the back go further oof.
Canon 5D and 30D | Canon IXUS 265HS | Cosina 100mm f3.5 macro | EF 75-300 f4.5-5.6 USM III | EF 50 f1.8 II | Slik 88 tripod | Apex Practicioner monocular microscope
Thanks. And yea,I see that Alien too! So its not the sauce,this timeAynia wrote:I really like this shot as it is. I can see a little alien character in it!!! Ooopss.. and no I have not been on the sauce again (eg wine or beer or something like that!!!!)
Canon 5D and 30D | Canon IXUS 265HS | Cosina 100mm f3.5 macro | EF 75-300 f4.5-5.6 USM III | EF 50 f1.8 II | Slik 88 tripod | Apex Practicioner monocular microscope