With respect, you have this part backwards.masquerade wrote:Raw data holds the color information with a gamma curve applied. When it is converted to tiff it becomes linear
It is the raw data that is linear -- each photon contributes the same amount to a sensor value, no matter how many photons have been captured at that photosite (assuming no overflow).
Gamma is traditionally applied in creating a TIFF file, when the color profile is made to be sRGB, Adobe RGB, ProPhoto RGB, or similar.
However, using Helicon's raw-in-DNG-out workflow, the TIFF files created as intermediates are also linear, and in fact their color profile is identical to the camera's sensor. That is, their raw-to-TIFF conversion process does Bayer interpolation to fill in otherwise missing RGB values, but for non-interpolated values the TIFF pixel value will equal the raw sensor value. It is this use of a linear color profile that preserves full ability to do color corrections later. This is explained in different words but more detail at http://www.heliconsoft.com/raw-in-dng-out/ .
That is useful information, and I have no disagreement with this statement as long as it's understood as an observation about Helicon's implementation.The only thing I know is if you want to have a 16bit result, dng pipeline is much more faster.
--Rik